![]() Beloit College Magazine
| ![]() The cover art: a vivid and imperious rooster. The volume: 409 pages of astonishingly diverse poetry. The event: the publication of the 50th anniversary anthology of the Beloit Poetry Journal, a celebratory collection of talent that is rich, eclectic, and international.
A Fine Excess is from John Keats’ statement, “Poetry should surprise by a fine excess.” Indeed, the quote easily describes the more than 260 poems by 153 poets in the anthology, all published in the journal since its founding in 1950. The poems are arranged chronologically. In the 1950s, for instance, the journal was an early—and in some cases the first—publisher of Galway Kinnell, Philip Levine, Robert Creeley, Maxine Kumin, Charles Bukowski, Anne Sexton, and James Dickey. It also introduced the poetry of Sherman Alexie, Mary Leader, and A.E. Stallings. Many poems—those by Louis Zukofsky, Sexton, and Dickey—are not available elsewhere. Beginning in 1951 with Langston Hughes’ translations of Lorca’s Gypsy Ballads, the Beloit Poetry Journal has reprinted world poetry in translation, including poems from Bengali, Spanish, Nepalese, German, Punjabi, Scottish, Japanese, and Chinese poets.
Prof. Stocking, who invested 30 years in Beloit’s English department, has written all the reviews for the journal since the 1960s, and also recent essays on poets Philip Booth and John Haines. —By Iris Poliski Email:
Franklin Boggs - Professor Emeritus, Art
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